Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Lodewijk Toeput
Turmbau zu Babel

ID: 89728

Lodewijk Toeput Turmbau zu Babel
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Lodewijk Toeput Turmbau zu Babel


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Lodewijk Toeput

(ca.1550, Antwerp - 1605, Treviso), was a Mannerist landscape painter active in Italy. According to Karel van Mander who listed him as one of two painters from Northern Europe who he met in Venice, he was a good poet (rederijker) as well as a painter, who he thought came from Mechelen. Van Mander listed him with Dirck de Vries, a painter of kitchen pieces and fruit markets from Friesland. According to the RKD he was from Antwerp and spent most of his life in Treviso, Italy. He painted several historical allegories from the Bible and mythological themes from Metamorphoses.  Related Paintings of Lodewijk Toeput :. | Sainte Cecile avec un ange tenant une partition musicale | The Raising of Lazarus (nn04) | Portrait of Bier in detail | Near Seville | The Comet of 1858,as Seen from the Heights of Dartmoor |
Related Artists:
Fedor Yakovlevich Alekseev
Fedor Yakovlevich Alekseev Russian: (c. 1753 - November 23, 1824) was an early Russian painter of landscape art. After training in the Saint Petersburg Imperial Academy of Arts, he spent three years in Venice studying the works of famous French and Italian landscape painters. Returning to Saint Petersburg to work, his popularity grew over time. In 1800, Emperor Paul of Russia commissioned a series of paintings of Moscow from him.
Perez, Antonio Gisbert
Spanish Painter, 1835-1902
Jean-Louis-Ernest Meissonier
French Academic Painter, 1815-1891,French painter, sculptor and illustrator. Although he was briefly a student of Jules Potier (1796-1865) and Leon Cogniet, Meissonier was mainly self-taught and gained experience by designing wood-engravings for book illustrations. These included Leon Curmer's celebrated edition of J.-H. Bernardin de Saint-Pierre's Paul et Virginie (Paris, 1838), the series Les Franeais peints par eux-memes (Paris, 1840-42) and Louis de Chevigne's Les Contes remois (Paris, 1858).






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